{"id":34086,"date":"2025-11-16T20:22:04","date_gmt":"2025-11-16T14:52:04","guid":{"rendered":"https:\/\/udaen.info\/?p=34086"},"modified":"2025-11-16T20:22:09","modified_gmt":"2025-11-16T14:52:09","slug":"19th-edition-of-waves-film-bazaar-to-present-robust-global-co-production-market-in-goa","status":"publish","type":"post","link":"https:\/\/udaen.info\/?p=34086","title":{"rendered":"19th Edition of WAVES Film Bazaar to Present Robust Global Co-Production Market in Goa"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"Titleh2\"><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"Subtitleh3\"><br>22 feature projects and five documentaries shortlisted for international financing and festival circulation.<\/h3>\n\n\n\n<p><strong>: #IFFIWOOD, November 16, 2025<\/strong><\/p>\n\n\n\n<p>The 19<sup>th<\/sup>&nbsp;edition of India\u2019s flagship film market\u2014formerly known as Film Bazaar and now reimagined as&nbsp;<strong>WAVES Film Bazaar,&nbsp;<\/strong><strong>is returning<\/strong><strong>&nbsp;<\/strong><strong>with a&nbsp;<\/strong>robust&nbsp;<strong>Co-Production Market<\/strong>&nbsp;for features and documentaries, including curated projects shortlisted for international financing and festival circulation.&nbsp;On the sidelines of the 56<sup>th<\/sup>&nbsp;International Film Festival of India (IFFI),&nbsp;<strong>WAVES Film Bazaar<\/strong>&nbsp;will&nbsp;<strong>be held&nbsp;<\/strong>at the Marriott Resort in Goa, from November 20 to 24, 2025.<\/p>\n\n\n\n<p>In the upcoming 19th edition,&nbsp;<em>Waves Film Bazaar<\/em>&nbsp;will present 22 feature projects that embody a pan-global narrative. The&nbsp;<em>Co-Production Market<\/em>&nbsp;features a compelling selection of projects from India, France, UK, Canada, USA, Russia, Philippines and Singapore. This diverse lineup includes stories in languages such as Hindi, Urdu, Bengali, Manipuri, Tangkhul, Nepali, Malayalam, Haryanvi, English, Gujarati, Ladakhi, Konkani, Kannada, Marathi, Punjabi, Kashmiri, Russian, Sanskrit and Odia. Selected filmmakers will have the opportunity to pitch their projects to International and Indian producers, distributors, festival programmers, financiers, and sales agents during the Open Pitch session. The pitch lays the groundwork for further one to one meetings and explores potential future collaborations.<\/p>\n\n\n\n<p>In addition, the Co-Production Market lineup in this edition will also have 5 Documentary films. The five remarkable documentary projects span across different genres including but not limited to Arts, Music and Culture, Environment, Sustainability, Education, Women\u2019s Movement,&nbsp; Gender and Sexuality, Anthropology, and Others.<\/p>\n\n\n\n<p>This year\u2019s Co-Production Market lineup presents a thoughtful balance between emerging voices and seasoned industry veterans, featuring acclaimed filmmakers and creators such as Kiran Rao, Vikramaditya Motwane, Shakun Batra, Devashish Makhija, Ira Dubey, Sarita Patil, Shaunak Sen and BAFTA award-winning Director Ben Crichton among others.<\/p>\n\n\n\n<p>Waves Film Bazaar also announced its partnership with the Asia TV Forum &amp; Market (ATF). The Co-Production Market Feature will include a project titled \u201cGloria\u201d as part of the project cross-exchange initiative.<\/p>\n\n\n\n<p>Three projects will be included as part of the Co-Production Market Feature under NFDC\u2019s Handpicked Focused Projects. The projects featured in this section are&nbsp;<em>\u201cShamed\u201d, \u201cSmash\u201d<\/em>&nbsp;and&nbsp;<em>\u201cTiger in the Lion Den.\u201d<\/em><\/p>\n\n\n\n<p><strong>Co-Production Market Feature Projects<\/strong><\/p>\n\n\n\n<ol>\n<li><strong>Ulta (Madam) | India, France, Canada | Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director- Paromita Dhar, Producer- Hyash Tanmoy<\/p>\n\n\n\n<ol start=\"2\">\n<li><strong>Those Who Flew | India | Hindi, Urdu, Bengali<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director- Soumyak Kanti De Biswas, Producer- Ira Dubey<\/p>\n\n\n\n<ol start=\"3\">\n<li><strong>Khei-Hea (Night &amp; Day) | India | Poula\/Manipuri\/Nepali\/English<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director- Ashok Veilou, Producers- Shaunak Sur &amp; Prateek Bagi and Alexander Leo Pou<\/p>\n\n\n\n<ol start=\"4\">\n<li><strong>The Manager | India | Malayalam<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director- Sandeep Sreelekha, Producers- Anuj Tyagi &amp; Vipin Radhakrishnan.<\/p>\n\n\n\n<ol start=\"5\">\n<li><strong>What Remains Unsaid | India | Haryanvi, Hindi, English<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Kallol Mukherjee, Producers &#8211; Devashish Makhija, Harsh Grover and Aditya Grover<\/p>\n\n\n\n<ol start=\"6\">\n<li><strong>Kanda (No Onions)<\/strong>\u00a0<strong>| India | Gujarati, Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Aarti Neharsh, Producers &#8211; Shakun Batra &amp; Dimpy Agrawal<\/p>\n\n\n\n<ol start=\"7\">\n<li><strong>Kakthet (Idiot) | India, France | Ladakhi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Stenzin Tankong, Producer &#8211; Ritu Sarin&nbsp;<\/p>\n\n\n\n<ol start=\"8\">\n<li><strong>A Death Foretold | India | Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director- Kislay Kislay, Producers &#8211; Tribeny Rai, Himanshu Kohli and Neha Malik<\/p>\n\n\n\n<ol start=\"9\">\n<li><strong>Tyres will be Deflated | India | Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Rohan Ranganathan, Producer &#8211; Shaunak Sen, Aman Mann<\/p>\n\n\n\n<ol start=\"10\">\n<li><strong>Mayapuri (City of Illusions) | India | Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Aranya Sahay, Producer &#8211; Mathivanan Rajendran<\/p>\n\n\n\n<ol start=\"11\">\n<li><strong>Puthenkacheri (Secretariat) | India, Canada | Malayalam<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Rajesh K, Producer- James Joseph Valiyakulathil, Ved Prakash Kataria<\/p>\n\n\n\n<ol start=\"12\">\n<li><strong>Sajdaa | India | Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Mohammad Gani, Producer \u2013 Sanjay Gulati<\/p>\n\n\n\n<ol start=\"13\">\n<li><strong>Teacher&#8217;s Pet | India, USA\u00a0 | English<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director-&nbsp;Sindhu Sreenivasa Murthy, Producers- Aishwarya Sonar, Shuchi Dwivedi, Vikramaditya Motwane.<\/p>\n\n\n\n<ol start=\"14\">\n<li><strong>7 to 7 |\u00a0 India | Gujarati, Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Nemil Shah, Producer &#8211; Nemil Shah &amp; Rajesh Shah<\/p>\n\n\n\n<ol start=\"15\">\n<li><strong>Katachua (The Quill) |\u00a0 India | Bengali, Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Sankhajit Biswas, Producer &#8211; Swaralipi Lipi<\/p>\n\n\n\n<ol start=\"16\">\n<li><strong>Shadow Hill : Of Spirits and Men | India | Konkani, English , Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Bosco Bhandarkar, Producer &#8211; Kiran Rao &amp; Tanaji Dasgupta<\/p>\n\n\n\n<ol start=\"17\">\n<li><strong>Pushpavati (The Flowered One) | India | Kannada<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Manoj Kumar V, Producer &#8211; Nithin Krishnamurthy<\/p>\n\n\n\n<ol start=\"18\">\n<li><strong>Swarnapuchhri | India | Hindi, Marathi, Kashmiri<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Ritwik Goswami, Producer &#8211;&nbsp; Nidhi Salian<\/p>\n\n\n\n<p><strong>NFDC\u2019s Handpicked Focused Projects<\/strong><\/p>\n\n\n\n<ol start=\"19\">\n<li><strong>Shamed | India | Hindi,Punjabi,English<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Dikssha Jyoti Routray, Producer &#8211; Sarita Patil<\/p>\n\n\n\n<ol start=\"20\">\n<li><strong>SMASH | Russia,India | Russian,English ,Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Maxim Kuznetsov, Producer &#8211; Ekatrina Golubeva-Poldi<\/p>\n\n\n\n<ol start=\"21\">\n<li><strong>Tiger in the Lion Den (Freedom friends )- India,United Kingdom | India, UK | English<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; R Sarath, Producer &#8211; Jolly Lonappan<\/p>\n\n\n\n<p><strong>Partnership Project with the Asia TV Forum &amp; Market (ATF)<\/strong><\/p>\n\n\n\n<ol start=\"22\">\n<li><strong>Gloria &#8211; Philippines, Singapore | English<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Alaric Tay, Producer &#8211; Derek Judge, Rex Lopez &amp;&nbsp; Alaric Tay<\/p>\n\n\n\n<p><strong>Co-Production Market Documentary Projects<\/strong><\/p>\n\n\n\n<ol>\n<li><strong>Colours of the Sea (Colours of the Sea)\u00a0 | India | Malayalam<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director: Jeffin Thomas, Producer: Sanju Surendran<\/p>\n\n\n\n<ol start=\"2\">\n<li><strong>Devi (Goddess) | India | Odia<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director and Producer &#8211; Pranab Kumar Aich<\/p>\n\n\n\n<ol start=\"3\">\n<li><strong>Nupi Keithel (Women Market) | India | Manipuri<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Haobam Paban Kumar, Producers &#8211; Haobam Paban Kumar, Ajit Yumnam&nbsp; &amp; Rajesh Puthanpurayil<\/p>\n\n\n\n<ol start=\"4\">\n<li><strong>Simhastha Kumbh (A Drop of Nectar) | India | Hindi, Sanskrit<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director and Producer- Amitabha Singh<\/p>\n\n\n\n<ol start=\"5\">\n<li><strong>The Maharaja and Me (The Maharaja and Me) | India, United Kingdom| English, Hindi<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Director &#8211; Ben Crichton, Producers &#8211; Karl Hillbrick &amp; Sue Graham<\/p>\n\n\n\n<p>Detailed brief about the 22 features and 5 documentaries selected for 19<sup>th<\/sup>&nbsp;Waves Film Bazaar Co-production Market may be&nbsp;<a href=\"https:\/\/static.pib.gov.in\/WriteReadData\/specificdocs\/documents\/2025\/nov\/doc20251116695001.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">accessed here<\/a>.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Held annually alongside IFFI, it has become the meeting ground where Indian storytellers, global producers, festival curators, technology partners and investors converge to shape the films of tomorrow. This year\u2019s Bazaar strengthens its global footprint with a a significantly expanded and more dynamic marketplace<\/p>\n\n\n\n<p><strong>ABOUT WAVES FILM BAZAAR<\/strong><\/p>\n\n\n\n<p>Waves Film Bazaar &#8211; Waves Film Bazaar (WFB) earlier known as Film Bazaar is held annually in Goa alongside the International Film Festival of India. Since its inception in 2007, it has been focusing on discovering, supporting and showcasing South Asian films and talent in filmmaking, production and distribution; the Bazaar also facilitates the sales of world cinema in the South Asian region. The market aims at facilitating the sales of world cinema in the region. The market is a converging point for South Asian and international filmmakers and film producers, sales agents, and festival programmers for potential creative and financial collaboration. Over the course of 5 days, the Film Market focuses on discovering, supporting, and showcasing South Asian content and talent in filmmaking, production, and distribution.<\/p>\n\n\n\n<p>For more information, visit&nbsp;<a href=\"https:\/\/films.wavesbazaar.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/films.wavesbazaar.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>22 feature projects and five documentaries shortlisted for international financing and festival circulation. : #IFFIWOOD, November 16, 2025 The 19th&nbsp;edition of India\u2019s flagship film market\u2014formerly known as Film Bazaar and now reimagined as&nbsp;WAVES Film Bazaar,&nbsp;is returning&nbsp;with a&nbsp;robust&nbsp;Co-Production Market&nbsp;for features and documentaries, including curated projects shortlisted for international financing and festival circulation.&nbsp;On the sidelines of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[27],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/udaen.info\/index.php?rest_route=\/wp\/v2\/posts\/34086"}],"collection":[{"href":"https:\/\/udaen.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/udaen.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/udaen.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/udaen.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34086"}],"version-history":[{"count":1,"href":"https:\/\/udaen.info\/index.php?rest_route=\/wp\/v2\/posts\/34086\/revisions"}],"predecessor-version":[{"id":34087,"href":"https:\/\/udaen.info\/index.php?rest_route=\/wp\/v2\/posts\/34086\/revisions\/34087"}],"wp:attachment":[{"href":"https:\/\/udaen.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/udaen.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/udaen.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}